hopeful music

there's something incredibly sexy about female bassists like me'shell ndegeocello whose strong, smart lyrics and often dripping wet vocals only add to her ridiculous sex appeal. well, there's another hot bassist on the rise. esperanza spalding is an amasing jazz artist whose charm+passion radiate through her bass, her voice and her smile. esperanza could do great things for modern jazz as me'shell has similarly effected neo-soul. both artists come with highest recommendation. enjoy.

boleros+blues

i'ma continue to catch up on past posts. this one is particularly tough, because i had originally decided not to post anything of this experience until my right mind made me think otherwise. the post never got published clearly, so reminiscing now is a difficult challenge. i'm not going to change what was originally written (18.7.08 11:09pm), just adding my thoughts of the process now and attempt to tie down loose ends. 2years after 3canal's caribeana imperia @ gala hispanic theatre, i was called upon by gala to design video projections for the premier production of boleros+blues: the life of agustin lara. i was excited @ the opportunity of working in a theatre that had long ago held such good memories for me and this time was giving me the opportunity to working with director; abel lopez, imperia's lighting designer+good friend; ayun fedorcha, and friend+gala's technical director (at the time); brendon vierra. the process, @ times, was certainly jarring, and everyone who worked on the show seemed to say 'this was just one of those shows;' but the overall experience was nearly pleasant. not 1design concept seemed to come together with any ease; not a single win without hours of painstaking pushing, prodding and pressure... +hundreds of hours of manual labour. set design definitely had the worst of it, though lighting+video design certainly had their setbacks, 1 designer's problems endlessly effecting the others successes. video projections, 1 of theatre's many spawned technologies, are usually last considered in design+process as the medium's functionality has yet to find it's proper place in theatre. i'ma point out the obvious right quick. theatre gave birth to video so to see video return home as it continues to find a more prominent place in modern theatre creates an interesting+exciting relationship between the 2forms; mother+daughter. i have already drawn out the technical plans for a show using multiple live video feeds of actors off stage from 4corners of an in the round space while action continues to take place on stage. my initial thought was someone dealing with multiple personalities, but i'm really looking for someone to write the right play and someone to fund what would be a technically stupid expensive show. like too many of my ideas, it'll probably never happen. back to boleros+blues. 3different projectors from 3different points each with 2different lens, squared+keyed onto the correct surface 6times, with the solution inevitably being the shortest+simplist cable run: 7500k lumen w/ long throw lens shot right from on top the lighting booth which unfortunately meant moving 2 of the hanging light fixtures out of the throw of the projector 24hours before opening the doors. borrowing projector/lens combinations from the job meant a good few extra hours in the office, but the 70+ hours i spent using the offices editing equipment creating the videos were fucking awful. it wasn't the creation, it was the extra time 5stories below ground in a place that i loathed. i even drove out to a friends place in damn near falls church 1 terribly stormy night just to break up the monotany of the office. with all of the technically difficulties i was still programming final cues 10minutes after the house opened for the 1st preview which i eventually fell asleep watching from the back row which is why when our director asked me what went wrong with the last (most important) video cue, i could only reply 'i don know.' our sm, francoise (1cool girl), later told me the technician rushed the cue. i left the theatre that night returning only to strike+return borrowed equipment to the office. as i heard it most of the designers chose to miss the opening night festivities as i imagine they, like me, were still too stressed out to enjoy ourselves. the run went well and got some good reviews. had i not moved to nola i would've been designing for 2additional shows with the gala last season. i've included some of the stills i created for the show though the more impressive creations are easily the numerous videos, particularly the final video where the actors froze on stage and my projection was accompanied by lara's beautiful music.